Commemorative plaques – A topography of remembrance

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Artwork of the month
It is not only the many buildings of the university and its institutes that shape Berlin’s cityscape. Traces of its members can also be found – in the form of monuments and busts erected in their honour, but also in the form of commemorative plaques.

Who is being commemorated?

Originally, commemorative plaques were used to honour individuals in a religious context (so-called epitaphs) and were reserved for specific groups of people (clergy, rulers and nobility). From the end of the 18th century onwards, commemorative plaques were increasingly erected for outstanding figures, particularly on the houses where they were born, lived or worked. In Berlin, too, from around 1880 onwards, numerous scientists, artists, philanthropists, entrepreneurs and scholars were commemorated in the cityscape. 

Due to renovations, demolitions, changes of ownership or wartime events, not all plaques have survived. Furthermore, some plaques were deliberately removed or stolen – particularly those installed during the GDR era. These include, for example, the commemorative plaques for Karl Liebknecht in the main building (removed in 1992 following a university council decision) and for Karl Marx and Friedrich Engels (located next to the main entrance until 1991; whereabouts unknown). In 1994, the plaque next to the entrance to the library, commemorating Lenin’s use of the Royal Library, was stolen. The daily press even reported sporadically on the planned removal of this and other symbols of the university’s socialist past.

Forms of remembrance

Today, there are still numerous plaques, mostly in written form only (such as those for Alexander and Wilhelm von Humboldt or Albert Einstein in the main building), occasionally adorned with portrait reliefs, which commemorate the university’s eminent scholars as well as historical events such as the book burning of 1933. They are affixed not only to the exterior but also, in some cases, to the interior of the building. 

Their design language mostly reflects the era in which they were created. For instance, the 1904 commemorative plaque for Theodor Mommsen is modelled on a Roman tombstone and honours the historian, among other things, for his efforts to reconstruct the course of the Limes. The theologian Friedrich Daniel Ernst Schleiermacher, on the other hand, is depicted on his 1974 commemorative plaque merely with a profile portrait and the dates of his life. 

The commemorative plaque for August Boeckh marks the German philologist’s legacy on a building that was only erected in 1997 to house the foreign-language departments of Romance Studies, Slavic Studies and the Language Centre. It thus honours neither Boeckh’s home nor his place of work (which was in the university’s main building), but rather establishes a connection between modern foreign-language studies and Boeckh’s classical philological work and the significance of his achievements. The medallion featuring Boeckh’s relief portrait is a copy of the medallion found on Boeckh’s gravestone, which was created by Reinhold Begas.

Berlin commemorative plaques

Alongside the historically evolved memorials, the Berlin cityscape also features mostly uniformly designed commemorative plaques made of porcelain, which have been installed as so-called ‘Berlin commemorative plaques’ since the city’s 750th anniversary celebrations in 1987. The University also possesses a number of such commemorative plaques. Supervised by the Berlin Historical Commission e. V. and under the authority of the Berlin Senate Department for Culture and Europe, new commemorative plaques were produced up until 2013: For the literary scholar Victor Klemperer, the theologian and church historian Adolf von Harnack, the writer and teacher Agnes von Zahn-Harnack, the chemist Emil Fischer, and the physicist Lise Meitner.
 

Bibliography:

  • Constanze Döhrer/ Volker Hobrack/ Angelika Keune (eds.): Traces of History. New Commemorative Plaques in Berlin’s Mitte District, Berlin 2012;
  • Stefanie Endlich: Text im Raum. Berlingeschichte verortet, published by the Aktives Museum Faschismus und Widerstand in Berlin e.V., Berlin 2022;
  • Holger Hübner: The City’s Memory. Commemorative Plaques in Berlin, Berlin 1997;
  • Angelika Keune: Portraits of Scholars at Humboldt-Universität zu Berlin. Monuments, Busts, Reliefs, Commemorative Plaques, Paintings, Drawings, Prints, Medals, Berlin 2000.

Series: Artwork of the Month

The Artwork of the Month showcases selected pieces from the art collection. Each month, one or more objects are highlighted to provide insights into material culture, the history of the collection and academic contexts. The articles examine the provenance, design and significance of the objects from various angles and highlight the broader issues they raise. In this way, they open up new perspectives on historical developments, cultural practices and current research interests associated with the art collection.

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